Beethoven 9 – International Record Review

Posted on April 6, 2012

Manchester Camerata’s most recent release – Beethoven 9 – receives a stunning review in the April edition of the International Record Review.  Read extracts from Mortimer H Frank’s review below.

Manchester Camerata's Beethoven 9“Anyone who feels that a period style performance of this towering masterpiece is a contradiction in terms should hear this impressive account, one that can still hold its own with some of the best modern instrument versions and easily surpass some of the less attractive period ones”.

“The hushed other-worldiness of the harmonically vague opening is aptly mysterious, expanding gradually into a D minor eruption in which the brass have welcome colour and bite. Never rushed or unduly protracted, the pacing is steady and constantly pressing forward while avoiding even a hint of rigidity.”

“As heard under Boyd, the movement gains a gorgeous lyrical flow that conveys an apt unity, tenderness and delicacy.” “The finale is also impressive, erupting, with exceptional clarity and aptly terrifying in its dissonant brashness.” “The orchestra variations of the main theme that follow press forward but with ample breathing room and exception clarity, their expanding orchestration culminating in the splendorous main theme in the bright sunlight of D major. The passage is of course familiar but I mention it here because I have never heard it conveyned better.”

“Boy’s approach may differ a bit from Toscanini’s in its closer adherence to Beethoven’s instructions, but it is to his credit that he does not go to Furtwanglerian extremes. Rather his performance shines musically and sonically, as the finest of the ‘period’ accounts I have heard. An Outstanding release.

The release of Manchester Camerata’s latest Recording marks the completion of a mammoth project to record the entire Beethoven Symphony Cycle, lasting the ten year tenure of the Ensemble’s former Music Director Douglas Boyd! 

International Record Review
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